#11 Musical Instruments As Metaphor In Adeola’s Ni Ile Wa (In Our Land)February 15, 2026 · 11 min readHameed Olutoba Lawal
#12 Ai As The New Librarian: Investigating Music Students’ And Educators’ Experiences With University Library Systems In Selected Nigerian UniversityFebruary 14, 2026 · 28 min readHameed Olutoba Lawal
#13 Rethinking Indigenous Knowledge Systems In Children‘s Education: Efik And Igbo Folk Songs Perspectives Of NigeriaFebruary 13, 2026 · 37 min readOlufemi Akanji OlaleyeOlusegun Stephen Titus
#14 Prospects Of Dance Theatre In Enhancing Dance Pedagogy In Nigerian Educational SystemFebruary 12, 2026 · 19 min readHameed Olutoba Lawal
#15 Music And Stress Management Among Obafemi Awolowo University Community MembersFebruary 11, 2026 · 26 min readOluwasesan Victor AjayiRachel Obonose TitusOlusegun Stephen Titus
#16 The First Polish National Ballet: The Krakow Wedding. Origins, Adaptations, And LegacyFebruary 10, 2026 · 22 min readKlaudia Carlos-Machej
#17 La Matanza De Tóxcatl: Apología De La Herencia Mexica A Través De La DanzaFebruary 9, 2026 · 28 min readKlaudia Carlos-Machej
#18 Pričaj Mi O Ljubavi: Premijera U Baletu Srpskog Narodnog Pozorišta U Novom SaduFebruary 8, 2026 · 16 min readSvenka Savić
#19 Not Permitted To Speak: Women And The Practice Of Aya-Fifa In Cherubim And Seraphim Movement Church (Ayo Ni O) Lagos, NigeriaFebruary 7, 2026 · 29 min readOmolara Olasunbo Loko
#20 A Comprehensive Study On Performance Practice In The First Movement Of Shostakovich‘s Cello Concerto No. 2, Op.126: Technical And Expressive DimensionsFebruary 6, 2026 · 26 min readWei Wei