Archive

2016​

• February 15 - #10 Začeci Muzičke Kritike U Srbiji: Pregledmuzičkih Dešavanja U Beogradu Sagledan Kroz Kritike Objavljene U ​Dnevnom Listu Politika 1904-1905
• February 16 - #9 ​​Utility Of Simplified Labanotation​
• February 17 - #8 ​Ekspresja Muzyczno-Ruchowa Jako Metoda Pracy​ Emila Jaques – Dalcroze’A
• February 18 - #7 ​Technique And Style Of George Balanchine School
• February 19 - ​​#6 A Case Study Of Student’s Progress In Piano Playing: ​the Role Of Training Model In Student’s Expertise
• February 20 - ​#5 Genesis Of Kharkov Music Culture In The Highlight Of The City’s Education And Concert Life Formation
• February 22 - #4 ​​The Cuban Dance Construct: ​a Mechanism For Creative Agency And Identity Formation
• February 23 - #3 The Single And Eternal Greece Of Rallou Manou: A Survey Of Her Work From A Slav Standpoint
• February 24 - #2 Differentiating Between Contemporary And Traditional Dance Aesthetic: ​ Androgyny Of Modern And Contemporary Dance
• February 25 - #1 Choreographic Methods for Creating Novel, High Quality Dance